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Brown's Requiem, by James Ellroy
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Fritz Brown's L.A.--and his life--are masses of contradictions, like stirring chorales sung for the dead. A less-than-spotless former cop with a drinking problem--a private eye-cum-repo man with a taste for great music--he has been known to wallow in the grime beneath the Hollywood glitter. But Fritz Brown's life is about to change, thanks to the appearance of a racist psycho who flashes too much cash for a golf caddie and who walked away clean from a multiple murder rap. Reopening this cas could be Fritz's redemption; his welcome back to a moral world and his path to a pure and perfect love. But to get there, he must make it through a grim, lightless place where evil has no national borders; where lies beget lies and death begets death; where there's little tolerance for Bach or Beethoven and deadly arson is a lesser mortal sin; and where a p.i.'s unhealthy interest in the past can turn beautiful music into funeral dirge.
- Sales Rank: #1016778 in Books
- Color: Multicolor
- Published on: 2001
- Released on: 1998-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .58" w x 5.25" l, .48 pounds
- Binding: Paperback
- 248 pages
Amazon.com Review
Before he began to remap the geography of the crime novel and venture out into the darkest noir night of them all with L.A. Confidential, The Black Dahlia, White Jazz, and American Tabloid, James Ellroy started his career with this powerful but basically straightforward book about Los Angeles private eye Fritz Brown. At first glance, the story of an investigation into a crooked golf tournament that opens up to include arson and murder could be just another work by any one of the dozens of good writers who have used Southern California as a metaphor for the decline and fall of civilization. But behind the terse prose, astute readers will soon begin to hear something else--the increasingly loud clamor of a cry of pain that will eventually become the barely manageable madness of Ellroy's later books. --Dick Adler
Review
"Crime, corruption, and obsessive sex...the most acclaimed noir writer of the past twenty years." -- "Mystery News""Hard-bitten...ingenious...Ellroy segues into political intrigue without missing a beat." -- "The New York Times"
About the Author
James Ellroy was born in Los Angeles in 1948. His L.A. quartet -- The Black Dahlia, The Big Nowhere, L.A. Confidential and White Jazz -- were international bestsellers. American Tabloid was Time's Novel of the Year in 1995; his memoir My Dark Places was Time's Best Book and a New York Times Notable book for 1996. His novel The Cold Six Thousand was a New York Times Notable Book and Los Angeles Times Best Book for 2001. He lives on the coast of California.
Most helpful customer reviews
76 of 80 people found the following review helpful.
Ellroy's First Kicks Ass
By Edward C. Goodman
Getting into Ellroy? Why not start at the beginning? Watch his style develop. I think folks get disappointed when they read this and other earlier works after they read "the hits" like "L.A. Confidential" and "American Tabloid." But hey, had he come out of the gates with "American Tabloid" he'd probably be done by now. Fortunately for us, Ellroy started off slow. "Brown's Requiem" is a much more straightforward hard-boiled novel. But just like his later work, it rocks, it rolls, it leaves you on the side of the road hitchiking back to town. As I read this book, I couldn't help thinking of it as an updated "The Big Sleep." It has that sad, broken, 3 am undertone to it. If you dig that tough, L.A. stuff, you'll dig this. Note: The story does involve caddies and golf (which I know nothing about) but it doesn't matter. The golf element is merely a backdrop. The book is also about murder, arson and Mexican porn and, regardless of what my friends will tell you, I know nothing about these subjects either and still enjoyed the Hell out this book. Put it this way: You won't be reading any excerpts from "Brown's Requiem" in "Chicken Soup for the Golfer's Soul."
32 of 33 people found the following review helpful.
solid crime novel but not his best
By Michael Toland
This was Ellroy's first published novel. It's a good, solid crime novel. It's mostly in the tradition of his predecessors like Chandler and Hammett, but some of his future trademarks are there, like the seedy anti-hero who eventually discovers and follows his own moral imperative. It's a bit bumpy in spots, and sometimes the plot falls into place a bit too neatly, but it's a good read. It's not nearly as amazing as the L.A. Quartet or American Tabloid, all brilliant books for which he has become justifiably famous. I read this after reading those (as well as My Dark Places and Crime Wave). Had I read this first, I would have been shocked by his later work. Maybe The Black Dahlia is a better place to start for the Ellroy novice.. This one seems almost quaint in comparison.
32 of 34 people found the following review helpful.
Great P.I. Fiction
By Brian D. Rubendall
I am not a James Ellroy fan. In fact, "Brown's Requiem" is the only novel of his that I have read, because it is the only one of his books I've found that is a straight private detective story. And as an example of the that genre, this books stands among the best. Ellroy's hero, Fritz Brown, is everything a good P.I. should be; world weary, cynical, alcoholic and carrying heavy baggage from his past. He also has plenty of good character eccentricities, like a fascination for classical music. He is also prone to make that classic P.I. mistake, to fall in love with a woman he knows he probably shouldn't fall in love with.
All of this said the book takes some unexpected twists and turns. Brown ends up investigating his own client, his romantic interest turns out to have a VERY complicated past and his case turns out to be far more elaboarate than it first appears. All of this leads to a violent and satisfying climax, like any good P.I. novel should. Fans of P.I. masters such Andrew Vachss, George Pellecanos and yes, Raymond Chandler, out to be right at home with Fritz Brown.
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