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Bad guys are not allowed to have birthdays, pick blueberries, or disturb the baby. So say the four-year-olds who announce life's risks and dangers as they play out the school year in Vivian Paley's classroom.

Their play is filled with warnings. They invent chaos in order to show that everything is under control. They portray fear to prove that it can be conquered. No theme is too large or too small for their intense scrutiny. Fantasy play is their ever dependable pathway to knowledge and certainty.

" It . . . takes a special teacher to value the young child's communications sufficiently, enter into a meaningful dialogue with the youngster, and thereby stimulate more productivity without overwhelming the child with her own ideas. Vivian Paley is such a teacher."—Maria W. Piers, in the American Journal of Education

"[Mrs. Paley's books] should be required reading wherever children are growing. Mrs. Paley does not presume to understand preschool children, or to theorize. Her strength lies equally in knowing that she does not know and in trying to learn. When she cannot help children—because she can neither anticipate nor follow their thinking—she strives not to hinder them. She avoids the arrogance of adult to small child; of teacher to student; or writer to reader."—Penelope Leach, author of Your Baby & Child in the New York Times Book Review

"[Paley's] stories and interpretation argue for a new type of early childhood education . . . a form of teaching that builds upon the considerable knowledge children already have and grapple with daily in fantasy play."—Alex Raskin, Los Angeles Times Book Review

"Through the 'intuitive language' of fantasy play, Paley believes, children express their deepest concerns. They act out different roles and invent imaginative scenarios to better understand the real world. Fantasy play helps them cope with uncomfortable feelings. . . . In fantasy, any device may be used to draw safe boundaries."—Ruth J. Moss, Psychology Today

• Sales Rank: #135288 in Books
• Published on: 1991-05-21
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .40" w x 5.25" l, .32 pounds
• Binding: Paperback
• 128 pages

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3 of 3 people found the following review helpful.
Fantasy Play is amazing!
By Sharlene L. Schmidt
I really enjoyed this book because it allowed for super hero play which is often frowned on in early education classrooms. Children are allowed to express themselves thru play and their imaginiations can run wild. This book did a great job of showing the reader just how children use their imagininations in play and just how quick the theme can change. This is a great book for anyone who is in the early childhood education field. It makes an easy read and it is truely a great book!!

0 of 0 people found the following review helpful.
The title makes us wonder why bad guys don't have birthdays
By margaret Werner
This is a great book on four year olds. Piaget helps us to understand how young children think and learn. Vivian Gussin Paley gives us many examples of how young children learn from their environment and how they change their beliefs when confronted with information from other children.

0 of 0 people found the following review helpful.
One of my all time favorites by Paley
By Jane Beader
Vivian Paley is a master at decribing young children's capacity for story telling. Her books are worth twice the price, and extremely readable, informative and thought provoking.

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• Sales Rank: #2794426 in eBooks
• Published on: 2014-02-19
• Released on: 2014-02-19
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This collection of essays explores the now mostly extinct notion of "Semites." Invented in the nineteenth century and essential to the making of modern conceptions of religion and race, the strange unity of Jew and Arab under one term, "Semite" (the opposing term was "Aryan"), and the circumstances that brought about its disappearance constitute the subject of this volume. With a focus on the history of disciplines (including religious studies and Jewish studies), as well as on lingering political, theological, and cultural effects (secularism, anti-Semitism, Israel/Palestine), Semites: Race, Religion, and Literature turns to the literary imagination as the site of a fragile and tenuous alternative, the promise of something like a "Semitic perspective."

• Sales Rank: #540109 in Books
• Brand: Brand: Stanford University Press
• Published on: 2007-10-08
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 5.50" l, .48 pounds
• Binding: Paperback
• 160 pages

Features

• Used Book in Good Condition

Review
“Anidjar argues persuasively that it was precisely at the moment when Christian Europe appeared to vanish, in the wake of the Enlightenment, political revolution, and universalism, that Christendom retained its identity and power through its construction of the Semites­the two enemies, Arab and Jew. The purported separation of religion and politics, a separation that has formed the core of Western historical thinking over the last two centuries, in fact did not occur. In less than two hundred pages, Anidjar succeeds in shifting our understanding of Christianity’s relationship to modernity, to power, to Jews and Arabs, and to Judaism and Islam.” —Mitchell B. Hart, University of Florida

“In this fascinating collection of essays, Gil Anidjar traces the Western conception of the outsider, the enemy, through the once-familiar notion of the Semite. He invites his readers to ponder the remarkable fact that although the category of ‘Semite’ is now scarcely used in its original sense (Arabs and Jews as Europe’s joint Other), its negative, ‘anti-Semite’ (meaning anti-Jews), is very much alive in religious and political discourses in Euro-America. Anidjar is a master of Derridean deconstruction, a provocative analyst of the role of Western Christianity in the formation of contemporary hostilities. This elegant book will upset many complacencies.” —Talal Asad, The CUNY Graduate Center

About the Author
Gil Anidjar is Associate Professor in the Department of Middle East and Asian Languages and Cultures at Columbia University. He is the author of "Our Place in Al-Andalus": Kabbalah, Philosophy, Literature in Arab Jewish Letters (Stanford, 2002) and the editor of Jacques Derrida's Acts of Religion (2002).

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• Sales Rank: #4415498 in Books
• Published on: 1966
• Binding: Hardcover

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The object of this book is to shed light on the most important design aspects encountered in foundation engineering and to present basic design principles representative of the developed part of the world. Modern geotechnical investigation methods and their interpretation are exemplified. The philosophy of the new European code for geotechnical design is presented. The most important and practical aspects of ground modification techniques are included. This book can be used as a textbook for senior undergraduate and graduate students. It can also serve as a combined text- and handbook for professional engineers working in the field of geotechnical engineering. Line drawings and photographs accompany the text.

• Sales Rank: #7675412 in Books
• Published on: 1994-01-28
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.75" w x 1.25" l,
• Binding: Hardcover
• 538 pages

Review
M. Popescu, Romania
...this reviewer would like to recommend this design manual to research and practising soil engineers, engineering geologists, and students in the respective fields.
Applied Mechanics Reviews

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[R786.Ebook] Ebook Free Final Fantasy Guitar Solo Official Best Collection Sheet Music with CD, by Square Enix

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This 120 page book contains solo guitar arrangements for 25 popular pieces from the Final Fantasy series (I-XII). It also includes a music CD so you can listen to the arrangements as you learn! Most titles and text in this book are in Japanese.

• Sales Rank: #2008791 in Books
• Published on: 2011
• Binding: Sheet music

Most helpful customer reviews

7 of 8 people found the following review helpful.
I don't play the guitar, I just wanted the cd Pt 1
By Shadowphoenix
A Japanese CD Book, including 25 pieces of Final Fantasy sheet music specifically arranged for the guitar. The cd has Yuji Sekiguchi performing the same pieces in the book, as a kind of audio sampler. The book also has pages it calls "One point advice" between each song, giving tips on playing the songs and a full Final Fantasy Discography at the end; all in Japanese of course.

Song List (both the book and the cd):

1. Prologue - Final Fantasy I - 2:06

2. Prelude - Final Fantasy I - 1:08

3. Matoya's Cave - Final Fantasy I - 1:33

4. Rebel Army Theme - Final Fantasy II - 1:39

5. Chocobo Theme - Final Fantasy II - 0:47

6. Elia, Maiden of Water - Final Fantasy III - 1:30

7. Eternal Wind - Final Fantasy III - 2:03

8. Theme of Love - Final Fantasy IV - 1:53

9. Main Theme - Final Fantasy IV - 1:54

10. Dear Friends - Final Fantasy V - 2:29

11. Battle on the Big Bridge - Final Fantasy V - 1:53

12. The Decisive Battle - Final Fantasy VI - 1:23

13. Searching for Friends - Final Fantasy VI - 2:01

14. Aerith's Theme - Final Fantasy VII - 2:29

15. J-E-N-O-V-A - Final Fantasy VII - 1:22

16. Fisherman's Horizon - Final Fantasy VIII - 2:02

17. Eyes On Me - Final Fantasy VIII - 3:05

18. You're Not Alone - Final Fantasy IX - 2:34

19. Melodies of Life - Final Fantasy IX - 3:09

20. Rose of May - Final Fantasy IX - 1:44

21. To Zanarkand - Final Fantasy X - 1:52

22. Via Purifico - Final Fantasy X - 1:20

23. Suteki Da Ne - Final Fantasy X - 3:02

24. Recollection - Final Fantasy XI - 2:51

25. Kiss Me Good-bye - Final Fantasy XII - 2:44

0 of 0 people found the following review helpful.
I love this. This is a pretty specialized item
By ajarthur99
I love this. This is a pretty specialized item, but this is a great collection of the songs I grew up listening to as I played the video games. It's fun to be able to recreate them in this unique way.

0 of 0 people found the following review helpful.
Great BOOK!
By A E S G
A total of 120 pages arrange and performed by Yuji Sekiguchi and of course composed and supervised by Nobuo Uematsu!
Titles are mostly written in Japanese and the description as well. Some black and White pictures of the songs.

The book has the measures of beats and Tabs, also some chord chart directions help.
I bought 4 New books out of total 8 available for purchase from Visual Japan.
Delivered in a large white enveloped and inside the 4 books is wrapped nicely in a bubble wrap.
Two came in perfect condition and the other two came with a 1/4" crumpled at the bottom right corner of the book on all half total pages. Each book cost about $37 to $38.50 with delivery charge $3.99 each.
Came with a thank you card a pretty origami and tiny mouse and cat stickers on the receipt and bubble wrap.

The 8 books list:

This Review Book>> Final Fantasy Guitar Solo Official Best Collection Sheet Music with CD
Square Enix

>> Square Enix Best Guitar Solo Score Sheet Music and CD Sheet music – January 1, 2011
by Masashi Hamauzu Nobuo Uematsu (Author)

VOL 1>>Solo Guitar Collections FINAL FANTASY with CD (Japanese) Sheet music – April 3, 2010

Vol. 2 >>Final Fantasy Solo Guitar Collections Sheet Music Book With CD Sheet music
by Known Author (Editor)

Vol 3>> Final Fantasy: Solo Guitar Collections, Vol. 3 (Japanese) Sheet music
by Daisuke Minamizawa (Author)

>>Final Fantasy Guitar Solo Collection (X - XIII-2) with CD Sheet music – January 1, 2012
by Square Enix (Author)

>>Best of Final Fantasy Guitar Solo Sheet Music Plus Bonus CD Sheet music

>>Final Fantasy Guitar Solo Collection (I-IX) with CD

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Through the lives and narratives of eight women, The Melodrama of Mobility chronicles South Korea's experience of dizzyingly rapid development. Nancy Abelmann captures the mood, feeling, and language of a generation and an era while providing a rare window on the personal and social struggles of South Korean modernity. Drawing also from television soap operas and films, she argues that a melodramatic sensibility speaks to South Korea's transformation because it preserves the tension and ambivalence of daily life in unsettled times.

• Sales Rank: #1165704 in Books
• Brand: Brand: University of Hawaii Press
• Published on: 2003-10-01
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .72" w x 6.14" l, 1.25 pounds
• Binding: Paperback
• 348 pages

Features

• Used Book in Good Condition

About the Author
Nancy Abelmann is Henry E. Preble Professor of Anthropology, Asian American Studies, and East Asian Languages & Cultures at the University of Illinois, Urbana-Champaign.

Most helpful customer reviews

16 of 21 people found the following review helpful.
Developing Ajummas
By J. Scott Burgeson
"Dynamic Korea" is the local government's official slogan used to promote the country as an international tourist destination and would-be "Hub of Asia," and might also serve as the rallying cry of those cheerleaders of South Korea's breakneck development ethos. For those more skeptical of the country's ideology of development as it has manifested itself over the past four decades or so, "melodrama of mobility" perhaps more accurately and succinctly describes the mood and condition of South Korean society in the modern era. After reading Nancy Abelmann's "The Melodrama of Mobility," the utopian thinking expressed in such phrases as "Dynamic Korea" and the "Hub of Asia" ring all the more hollow.
Any foreigner who has lived in South Korea for a while has no doubt noticed the confusion and anxiety that seem to permeate just about every level and aspect of Korea society. Change, after all, is the only constant in South Korea. "The Melodrama of Mobility" is a satisfying exploration and analysis of some of the root causes of such confusion and anxiety, specifically from the gendered viewpoints of eight middle-aged South Korean women. The next time the visiting foreigner is elbowed brutally in the side by an ajumma ("auntie") rushing onto a subway car to occupy the last free seat, while they may not quite forgive her, at least they can better understand her.
"The Melodrama of Mobilty" uses the concept of social mobilty to trace the lives of these women as they travel back and forth from countryside to city, across class lines and generational divides, across ever-shifting landscapes of memory and desire. A kind of poststructuralist approach to ethnography and anthropology, the author's main aim is to show that these women's social and personal lives are in constant flux, and cannot be neatly "fixed" or "reified" into static categories of class, status, gender and identity. In this, she largely suceeds.
All in all, I enjoyed this book, but had a few problems with the form or structure of it, as well as deployment of the notion of "melodrama" as displayed prominently in the title.
First of all, it's hard to tell who this book's target audience is, beyond some nebulous "Korean Studies" or "Women's Studies" community. At times the book is overloaded with all the usual academic apendages such as constant citations of other academics including page number and year within the text, as well as constant definitions of critical terms and an overly self-concious attention paid to the writer's working methodology. And at the same time, the book is often theoretically dense, befitting a poststructuralist approach, all of which suggests this is a book geared for academics and perhaps undergraduates. However, the book is overly simple in parts and seems to treat the reader like a high school student who needs his or her hand held to get the author's points. Every chapter begins and concludes with summaries of the points made in the chapter, and often includes summaries and restatements already made in previous chapters, as well as teasers advertising points to be made in later chapters, etc., etc. This gets to be tedious after a while, and one wonders why readers capable enough to read poststructuralist enthnography need such "help" in getting the point. Again I ask, who are the intended readers? Personally, I could have done without all the constant summarizing and explications of methodolgy (which take up at least a third of the text) and done with more ethnographic observations of the women represented. One of the main women in the book deals privately in the real estate market in Seoul, for example, but there is little discussion of the networks she navigates while undertaking such work, focusing instead largely on her familial relations. For a book arguing that the division between the personal and the social is artificial, such an ommision is unsatisfying to say the least.
I also found the theme of "melodrama" insufficiently explored. Clearly melodrama is one of the most popular film and TV genres in Korea, and Korean society is indeed often melodramatic (witness weeping politicians hurling shoes in the National Assembly just a few months ago, televised around the world). This is an intriguing framework through which to view Korean society, yet the theoretics of melodrama as well as its application to Korean society and the women in the book are cursory and remain largely unexplored. Again, I would have preferred less self-conscious explication of methodology, and more solid theoretical insights.
One of the most interesting aspects of this book is the emphasis on retelling the stories and narratives of mobility of these women, as originally told to the author. Strip away the academic elements, the theory and emphasis on detailing methodology, and the book comes to resemble a novel of sorts, or at least a collection of interrelated short stories. I had no luck finding this book in Korea and had to order it online. Adopting more overtly the techniques of narrative, or at least restraining somewhat the distracting "academic" elements, would no doubt guarrantee a much wider readership in the future--which such individuals as appear in this book truly deserve. But then again, I am not an academic, so what do I know? If you're going to play that game, I guess you have to play by those rules.

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